gaudí

Over 50 speakers from all around the globe are to attend this week the Second World Gaudí Congress. From the 4th to the 7th of October the Historic Building of the University of Barcelona is hosting this biennial event organised by the Gaudí Research Institute (TGRI) and the University of Barcelona, ??where Antoni Gaudí received the title of architect in 1878. One of the main attractions of the congress is the thesis that the Blessed Sacrament Chapel of the Church of Sant Joan de Gràcia, in Barcelona, is a work by Gaudí, an idea defended by the biographer of the Catalan architect, Josep Maria Tarragona. This second edition has as a novelty the incorporation of the three-day session in Shanghai, which took place between the 21st and the 23rd of June, in collaboration with several Chinese universities of Tsinghua and with the support of the City of Shanghai. 

Visitors can finally see the sacristy on the west side of Gaudí’s cathedral, the Sagrada Familia. The construction of Barcelona’s most iconic building began in 1882 and aims to be finished in 2026. Recently architects removed the framework and scaffolding from the sacristy where visitors can see symbols on the obelisks on the corner of two famous streets in Barcelona, Provença and Sardenya. The sacristy contains several items for the celebration of liturgical acts, some of which are original designs and others are reproductions of the famous Catalan architect. In two years’ time, the six central towers will already be visible and by 2023 they will be complete, making it the tallest religious building in Europe.

‘Barcelona Catalonia Culture Week’, the first Catalan cultural week organised in Shanghai awoke the interest of 73,000 people. Coinciding with the 10^th anniversary of the Catalan Society ‘Casal Català de Xangai’ and 15 years since the twinning of Barcelona and Shanghai, China’s financial capital hosted more than 30 activities to present Catalonia’s cultural heritage to the local audience. International icons such as surrealist painter Salvador Dalíand architect Antoni Gaudíwere the centre of some of the art exhibitions. Another key point of the programme was the participation of ‘Castellers de Vilafranca’, whom displayed Catalan human towers all around the city. “This initiative introduces Catalonia to China’s collective imagination”stated the Catalan Institute of China’s President, Alexis Roig, and is the result of “a joint effort from civil society, companies and the Catalan institutions”. 

The final phase of construction of the Sagrada Família basilica in Barcelona has begun. In two years’ time, the six central towers will already be visible and by 2023 they will be complete, making it the tallest religious building in Europe. Barcelona’s most iconic building is expected to be completed by 2026, to coincide with the 100^th anniversary of architect Antoni Gaudí’s death. The construction work is currently focused on the transept, a room that wasn’t planned by Gaudí, and that is set to bear the weight of Jesus tower, the biggest one, which will be 172.5 m high. The transept room will also be used as a landing space for visitors before they start the ascent to the tower. Audiovisual projections showing the progress of the work on the building will also be exhibited in the transept room, which has already been set up with stone stands for visitors. The work on Sagrada Familia represents 25 million euros in annual investment and the basilica is visited by more than 3 million people every year.

The Catalan actor David Verdaguer, known for his comic roles in Catalan TV programmes such as ‘APM’ and ‘Crackòvia’, has recently received the Gaudí Award in the best actor category for his leading role in ‘10,000km’, directed by Carlos Marqués-Marcet. After the success of the film, Carlos Marqués is planning a new project to be filmed in London with a supporting role for Verdaguer. Deeply dedicated to theatre, David Verdaguer has just performed in the play ‘El somni Americà’ at the Teatre Lliure in Barcelona.

Isona Passola, the producer of the internationally-acclaimed Catalan film ‘Pa Negre’ (Black Bread), the Spanish contender for an Oscar in 2013, believes that “Catalan culture can be appreciated worldwide”. Passola has made many historical documentaries and is now convinced that “life acquires meaning when working for collective benefit”. Last year she presented ‘L’Endemà’, a documentary aimed at countering the arguments against Catalan independence and financed through crowd-funding. Passola, the current president of the Catalan Film Academy, is “a true defender of the right to form a family” and “has never lost the joie de vivre”.

Catalan cinema is getting ready for the 7^th edition of its annual ‘Oscars’ ceremony, the Gaudí Awards. The event, organised by the Catalan Film Academy, will take place next Sunday at the Sant Jordi Club in Barcelona and will be hosted by the Catalan actor and theatre director Àngel Llàcer. ‘El Niño’, the Catalan co-production directed by Daniel Monzón, and ‘Stella Cadente’, directed by Luis Miñarro, compete in the Best Director, Best Film and Best Script categories with 15 and 13 nominations, respectively. They are followed by the horror film ‘[REC]4: Apocalipsis’, with nine nominations, together with ‘10,000km’ and ‘Rastres de Sàndal’, with eight nominations each.  

The Academy of Catalan Cinema has released the nominees for the 7 Gaudí Awards, the main annual prizes recognising Catalan motion film productions. ‘El Niño’, by Daniel Monzón, tops the ranking with 15 nominations, including Best Non-Catalan Language Film, Best Director and Best Script. However, the movie is nominated twice in two categories (Best Actor and Best Secondary Actor), so it could only win 13 awards at the most. It is followed by ‘Stella Cadente’, with 13 nominations; ‘[REC] 4: Apocalipsis’ with 9; and ’10,000 KM’ and ‘Rastres de Sándal’, both of which have received 8 nominations. The 4 nominees for Best European Film are ‘Ida’ by Pawel Pawlikowski (Poland); ‘La grande bellezza’ by Paolo Sorrentino (Italy); ‘La isla mínima’ by Alberto Rodríguez (Spain); and ‘Magical Girl’ by Carlos Vermut (Spain). The awards ceremony will take place in Barcelona on 1 February.

After 11 months of restoration work, the world-famous Art-Nouveau building located on Barcelona’s Passeig de Gràcia boulevard and officially known as ‘Casa Milà’ is once again showing its unique façade. Designed by the Catalan architectural genius Antoni Gaudí, this wonderfully innovative residential house, also known as La Pedrera (The Quarry), was completed in 1910. With its undulating façade made of white stone and twisted wrought iron decorating the balconies (mostly designed by Josep Maria Jujol), the building initially shocked Barcelona’s bourgeoisie. However, after a few years it had become an iconic symbol of the Catalan capital. Nowadays, it represents perhaps the greatest masterpiece of Catalan modernism and Gaudí’s most famous building together with the Sagrada Família Basilica. 

The Catalan Film Academy has announced the 10 European films to be candidates for the 7^th Gaudí Awards, the main cinema competition in Catalonia. Among others, these include: 'Deux jours, une nuit' ('Two days, one night'), written and directed by Jean-Pierre Dardenne and Luc Dardenne; 'La grande belleza' ('The great beauty'), directed by Paolo Sorrentino; 'La Vénus à fourrure' ('Venus in Furs'), by Roman Polanski; 'Nymphomaniac: Vol. I and Vol. II', written and directed by Lars von Trier; and, the Spanish 'La isla mínima', directed by Alberto Rodríguez. The award ceremony will take place in Barcelona at the end of January. The nominations were selected by a committee appointed by the Board of the Catalan Film Academy.

On Wednesday the first door to the Façade of the Nativity of the Sagrada Familia, Barcelona’s famous basilica designed by Antoni Gaudí, was finally installed. The bronze gate is inspired by nature and is full of metal leaves, flowers and insects. It is located in the ‘Portal of Charity,’ and is the creation of Japanese sculptor Etsuro Sotoo, a passionate follower of Gaudí’s career who has been collaborating in the construction of the church since 1978. At 7 metres tall by 3 metres wide, the ornate door is the first of four pieces that will be installed in this part of the temple as it is completed. The concept of the Nativity Façade is to illustrate the major events of the early life of Jesus Christ through a sculptural and ornamental design full of optimism and joy. The construction of the doors of the basilica is scheduled to be completed in 2015.

Barcelona's Sagrada Familía Basilica and Museum and Figueres' Salvador Dalí Theatre-Museum topped Catalonia's visitor rankings with 3.18 million and 1.58 million respectively.  In total, 21,593,992 people visited Catalonia's museums and collections during last year. FC Barcelona's Museum came in third place with 1.51 million people, followed by the science museum CosmoCaixa (1.25 million) and the temporary exhibitions' centre CaixaForum Barcelona (979,000 people). The last two are owned and managed by the Catalan savings bank La Caixa. The Art-Nouveau buildings designed by Catalan architect Antoni Gaudí La Pedrera and Casa Batlló are also among the highlights, with 973,000 and 796,000 visitors respectively. Barcelona's Picasso Museum (915,000) and the Joan Miró Foundation (911,000) are also among the most popular art centres.

Josep Maria Subirachs died in Barcelona after a neurodegenerative illness aged 87. Subirachs had a long career in several artistic disciplines but he will be mostly remembered at international level for the work he created in the Sagrada Familia basilica designed by the Catalan architect Antoni Gaudí. In 1986, Subirachs was commissioned to create sculpture groups for the church's Passion Façade, picturing Jesus Christ's Via Crucis. He devoted 18 years of his life to creating a unique and controversial composition; he did not follow Gaudí's style but used his own. Instead of picturing rounded ornaments inspired by nature, Subirachs designed straight stone figures with a solid and sharp aspect, inspired by geometry and with a wrinkled texture. Caixa Penedès intended to create an exhibition centre devoted to his work near Barcelona Picasso Museum, but the financial crisis stopped the project.

The apocalyptic blockbuster Los Últimos Días (‘The Last Days’) and the intense quasi-documentary La Plaga (‘The Plague’) took home top honours at the Catalan film industry awards, which took place in Barcelona on Sunday evening. The decision by the workers from the Catalan Public Television Broadcaster not to air the ceremony was present throughout with many personalities from the world of cinema displaying their support for the protesters. The President of the Catalan Film Academy, Isona Passola, condemned this decision in her address. Contemporary drama Tots Volem el Millor per a Ella (‘Puzzlement’) was also recognised in the gala, picking up both Best Leading Actress for Nora Navas and Best Supporting Actress for Clara Segura, while big nominees Fill de Cain (‘Son of Cain’) and Grand Piano went home empty-handed.

Aiming to control better the number of tourists visiting Antoni Gaudí’s famous Park Güell and to obtain revenue to pay for security and maintenance, a few months ago Barcelona City Council approved charging an entrance fee. Friday 25th will be the first day that visitors will have to pay for a ticket in order to access Gaudí’s monuments located in this park in the Catalan capital. The rest of the park will be open to the public as it used to be, without entrance fees. Up to Wednesday noon, 1,900 tickets had been sold for Friday, representing 23% of those available. In addition, the City Council delivered 25,000 cards for the park’s neighbours, in order to allow them access to the park’s entire area, including the zone where Gaudí’s monuments are located.