rumba catalana

Motion approved to force government to promote bid for music genre

'From respect / To Respect' is the new and last record by the most iconic figure of 'rumba catalana'

The 17^th Mediterranean Trade Fair, specialised in folk and world music, will take place from Thursday to Sunday, expected to attract 100,000 people to the city of Manresa, in central Catalonia. The most international fair of its history, it will feature over 300 art activities, host 107 companies and show 35 exhibitions. Highlights of the programme include the popular Portuguese singer Dulce Pontes and the musical duo Toumani Diabaté -the world famous African harpist-and his son Sidiki. Pluralism and the question of "what is popular culture today" will be the defining themes of this year’s event, which will host over 1,000 professionals, including 30 speakers and 180 cultural projects. The Fair will also be a tribute to the late musician Peret, the ‘father’ of Catalan rumba who sadly passed away in August.

Pere Pubill i Calaf, better known as Peret, died at noon on Wednesday in a Barcelonan hospital, aged 79. The singer, guitar player and composer Peret was considered to be the 'father' of the so-called Catalan rumba, a fusion music style mixing Afro-Cuban mambo with flamenco and rock and roll. This rhythm was born in the 1950s within Barcelona's Gipsy community and became increasingly popular in the 1960s thanks to some of Peret's hits. Soon it became part of Catalonia's culture and common heritage, being extremely popular and receiving institutional recognition. Peret started his musical career extremely young in the 1940s. He published a total of 27 albums, and he was about to release his first disc entirely in Catalan. In his last years, he became particularly active in social and political movements, criticising poverty and supporting Catalan self-determination. A few weeks ago, he issued a press release announcing he was undergoing anti-cancer treatment.

Catalan Rumba is part of the Catalan cultural heritage as much as the traditional folk dance Sardana or the famous human towers known as Castellers. This musical genre, born on the streets of Barcelona during the Sixties, is often mistaken for flamenco or other popular Latin sounds. Musicians such as Peret, Antonio González ‘El Pescaílla’ or Gato Pérez were pioneers of this style and contributed to its institutional and social recognition. Different waves of groups and artists have left their footprint on the Catalan Rumba, which is experiencing a third new age defined by a more eclectic sound that reflects Barcelona’s multicultural and cosmopolitan lifestyle.