photographer

The Catalan photographer who contributed to the Nuremberg trials with more than 20,000 photographs

Barcelona’s CosmoCaixa science museum has inaugurated an exhibition replicating that of the Natural History Museum in London called ‘Wildlife Photographer of the Year’. The 100 photos on display were selected out of 42,000 images received in the eponymous contest put forth by BBC Wildlife Magazine in 2015. The pictures chosen for the exhibition were also selected because they stimulated “defence of biodiversity and protection of the environment” stated the director of Research and Knowledge of the ‘Fundació la Caixa’ foundation, Jordi Portabella. One can also admire the two winning images from the 2015 contest: ‘A tale of two Foxes’ and ‘Ruffs on Display’, taken respectively by Don Gutoski and Ondrej Pelánek.

From Wednesday 29^th of April onwards, the National Art Museum of Catalonia (MNAC) will exhibit 'Gabriel Casas: Photography, journalism and modernity, 1929-1939', the first great monographic exhibition dedicated to one of the most important photographers of the interwar period. Standing out as the photographer who introduced 'New Vision' photography in Spain, Casas achieved "great maturity" in the decade represented in this exposition with 120 photographs and 4 thematic areas: 'Records', 'New Vision', 'Photography' and 'Portraits', as explained by the curator Juan Naranjo. The exhibition dedicated to Gabriel Casas is a cooperative production between the MNAC together with the National Archive of Catalonia and La Caixa's foundation for social and cultural work. The show will later travel to the CaixaForum art galleries in Girona (North-East Catalonia) and Tarragona (South Catalonia).

Photographer Colita has rejected the National Photography Prize awarded by the Spanish Ministry of Culture because of "the pitiful, shameful and painful" situation of the cultural sector in Spain. Colita, who was one of the main photographers portraying Barcelona's bohemian life of the 1960s, 1970s and 1980s, did so after another Catalan artist, the world-famous musician Jordi Savall, did the same last week for similar reasons. In both cases, the two artists highlighted that their reasons for rejecting the award were linked to the Spanish Government's cultural policies and had nothing to do with its blocking attitude towards Catalonia's self-determination process. Colita ironically stated that she "does not know where [the Spanish Ministry of Culture] is located, neither if it exists".

Barcelona-born photographer Joan Fontcuberta presents his first major exhibition in the UK, ‘Stranger than Fiction’, which represents an overview of 30 years of his artistic work on nature photography. It opened on Wednesday at London’s Science Museum's Media Space and will be running until the 9^th of November. The six-part collection of pictures and artefacts aims to examine the presumed reliability of photography and shake the viewer's consciousness by mixing fact with fiction, science with art, and persuasive storytelling with a deep questioning. After London, the exhibition will travel to the National Media Museum in Bradford (northern England) from the 19^th of November 2014 to the 8^th of February 2015.

The Maison Européenne de la Photographie (MEP) in Paris will open on Wednesday, January, 15^th an exhibition entitled ‘Camouflages’, devoted to the renowned photographer Joan Fontcuberta . Thanks to 10 series of photographs, visitors will journey through the works of the Catalan artist, who was awarded the prestigious Hasselblad prize in 2013, considered as ‘the Photography Nobel Prize’. The jury had highlighted that Fontcuberta was “one of the most imaginative contemporary photographers” of our time. The exhibition, which will occupy three of the four floors of the MEP, explores the notions of ??camouflage, concealment, and disguise: camouflage of the artist, of photography, of reality, and of truth.

The National Art Museum of Catalonia (MNAC) hosts the retrospective ‘I work the street’ dedicated to photographer Joan Colom. It is the very first time an exhibition presents all of the artist’s works, amongst which are many previously unpublished images. From the 12^th of December 2013 to the 25^th of May 2014, visitors will be able to see 500 pictures, notably Colom’s most iconic images: black and white photos secretly taken in Barcelona’s Raval in the 1960s. His feature stories from the 1990s are also presented to the public. Colom’s donation of various photographic materials in 2012 enabled such a comprehensive exhibition to take place. The Director of the MNAC, Pepe Serra, said the exhibition was unusual in many aspects.

The 2013 winner of the prestigious Hasselblad Foundation Photography Award – which is like the Nobel Prize in this field – has been exploring the “aesthetics of censorship” in texts dating from the 16^th to the 19^th century. The “violent interventions” of censors are revealed in ‘Deletrix’, a series of photographs taken by Catalan Joan Fontcuberta and exhibited at the Santa Mònica Arts Centre of Barcelona. In addition, Fontcuberta also releases a book displaying the artist’s 6 years of delving into archives and libraries. Fonctuberta did not wish to solely condemn censorship and defend freedom of expression.  He also observed that the “violent” and “visceral energy” expressed in these human interventions influenced some contemporary works of art. And therefore, the photographer sought to explore the relationship between art and censorship.

The 143 pictures that won the last World Press Photo contest – the main photojournalism event at international level, which is held each September in Perpignan – will be on show at the Barcelona Centre of Contemporary Culture (CCCB). Among such photographs are many scenes taken at Gaza and Syria along with pictures of sports, nature, social issues and current affairs. Director of the Photographic Social Vision foundation Sylvia Omedes stated the exhibition “was the best opportunity to see the state of the world through the best photos taken in 2012”.  

Maspons was one of the greatest Catalan photographers of all time. He is famous for his pictures of the former Somorrostro slum in the Barceloneta beach, party life in Ibiza during the 1970s and Barcelona’s left-wing group of bourgeois intellectuals from the 1970s, known as ‘Gauche Divine’. Maspons worked mostly in Catalonia, but also in Paris and the States. In fact, New York’s Museum of Modern Art (MoMA) exhibits pictures taken by Oriol Maspons. He received top honours in Catalonia, such as the Catalan Government’s Sant Jordi Cross and Barcelona City’s Gold Medal. In 2010, he donated his private collection of some 5,500 pictures to Catalonia’s National Museum of Art (MNAC), which will organise a “large exhibition” on his work.

The Hasselblad Foundation has awarded its 2013 prize to the Catalan photographer Joan Fontcuberta. The jury highlighted the fact that Fontcuberta “is one of the most imaginative contemporary photographers” today. This is the most prestigious award at international level in the field of photography. It comes with 1 million Swedish crowns (around €110,000). The award ceremony took place in Barcelona on Thursday evening. In October, Gothenburg’s Art Museum will hold an exhibition on Fontcuberta’s work. His creations “adopt original and playful conceptual perspectives, which particularly explore photography conventions, means of representation and claims to truth”, stated the jury.

CNA interviews Samuel Aranda, the Catalan photographer who eighteen months ago leapt to fame by winning the World Press Photo competition, the most important award in photojournalism thanks to a shot that would become the symbol of the Arab Spring: Fatima cradling her son Zayed, who was suffering from the effects of tear gas after participating in a demonstration in Yemen. However even after reaching such heady heights, Aranda hasn’t stopped working as his controversial photo essay for the New York Times about the extent of the Spanish economic crisis shows.