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Barcelona's Centre of Contemporary Culture (CCCB) is currently hosting the 134 photographs awarded by the 'World Press Photo', one of the most important photojournalism competitions. Until the 13^th of December, visitors can view a wide range of documentary photographs portraying scenes related to issues such as the Ebola epidemic, the Ukraine crisis and the migration drama in the Mediterranean. However, one of the most outstanding pictures to be displayed in Barcelona's CCCB is Mads Nissen’s 2015 winning picture, which portrays the intimacy of a homosexual couple in Saint Petersburg, and was vetoed at the last ‘Visa pour l'Image’ festival in Perpignan due to its "excessive dramatisation". The eleventh edition of the 'World Press Photo' exhibition also includes seven winning pieces in the media category. 

The 143 pictures that won the last World Press Photo contest – the main photojournalism event at international level, which is held each September in Perpignan – will be on show at the Barcelona Centre of Contemporary Culture (CCCB). Among such photographs are many scenes taken at Gaza and Syria along with pictures of sports, nature, social issues and current affairs. Director of the Photographic Social Vision foundation Sylvia Omedes stated the exhibition “was the best opportunity to see the state of the world through the best photos taken in 2012”.  

CNA interviews Samuel Aranda, the Catalan photographer who eighteen months ago leapt to fame by winning the World Press Photo competition, the most important award in photojournalism thanks to a shot that would become the symbol of the Arab Spring: Fatima cradling her son Zayed, who was suffering from the effects of tear gas after participating in a demonstration in Yemen. However even after reaching such heady heights, Aranda hasn’t stopped working as his controversial photo essay for the New York Times about the extent of the Spanish economic crisis shows.

Samuel Aranda’s photograph of a fully-veiled woman holding a wounded relative in her arms in Yemen has been awarded the World Press Photo of the Year. Aranda was working in the Arabian country for the ‘New York Times’. During his career he has collaborated with several Catalan and Spanish newspapers.