academy of catalan cinema

The ceremony for the Catalan cinema industry’s main annual prizes will be held on January 28 in Barcelona

Global support in Catalonia to reduce VAT on cinema tickets from the current 21% to 10%. Compared to other EU countries, in which cultural activities including the movie sector benefit from reduced VAT, Spanish citizens have to live with high taxes on culture. Politicians and associations of the cinema sector in Catalonia consider the 21% VAT on cinema tickets “discriminatory” in comparison to other EU countries. In Germany, for example, there is reduced VAT (7%) on movies (not including damaging content for youth). In Belgium cultural events have a VAT of 6% and in neighboring France, VAT on cultural activities is 7%. That is why these cultural groups have lined up to urge the Spanish government to change it in the 2017 budget and set it at the same level as bullfighting, which is currently taxed at just 10%.

Isona Passola, the producer of the internationally-acclaimed Catalan film ‘Pa Negre’ (Black Bread), the Spanish contender for an Oscar in 2013, believes that “Catalan culture can be appreciated worldwide”. Passola has made many historical documentaries and is now convinced that “life acquires meaning when working for collective benefit”. Last year she presented ‘L’Endemà’, a documentary aimed at countering the arguments against Catalan independence and financed through crowd-funding. Passola, the current president of the Catalan Film Academy, is “a true defender of the right to form a family” and “has never lost the joie de vivre”.

Catalan cinema is getting ready for the 7^th edition of its annual ‘Oscars’ ceremony, the Gaudí Awards. The event, organised by the Catalan Film Academy, will take place next Sunday at the Sant Jordi Club in Barcelona and will be hosted by the Catalan actor and theatre director Àngel Llàcer. ‘El Niño’, the Catalan co-production directed by Daniel Monzón, and ‘Stella Cadente’, directed by Luis Miñarro, compete in the Best Director, Best Film and Best Script categories with 15 and 13 nominations, respectively. They are followed by the horror film ‘[REC]4: Apocalipsis’, with nine nominations, together with ‘10,000km’ and ‘Rastres de Sàndal’, with eight nominations each.  

The Academy of Catalan Cinema has released the nominees for the 7 Gaudí Awards, the main annual prizes recognising Catalan motion film productions. ‘El Niño’, by Daniel Monzón, tops the ranking with 15 nominations, including Best Non-Catalan Language Film, Best Director and Best Script. However, the movie is nominated twice in two categories (Best Actor and Best Secondary Actor), so it could only win 13 awards at the most. It is followed by ‘Stella Cadente’, with 13 nominations; ‘[REC] 4: Apocalipsis’ with 9; and ’10,000 KM’ and ‘Rastres de Sándal’, both of which have received 8 nominations. The 4 nominees for Best European Film are ‘Ida’ by Pawel Pawlikowski (Poland); ‘La grande bellezza’ by Paolo Sorrentino (Italy); ‘La isla mínima’ by Alberto Rodríguez (Spain); and ‘Magical Girl’ by Carlos Vermut (Spain). The awards ceremony will take place in Barcelona on 1 February.

The Catalan Film Academy has announced the 10 European films to be candidates for the 7^th Gaudí Awards, the main cinema competition in Catalonia. Among others, these include: 'Deux jours, une nuit' ('Two days, one night'), written and directed by Jean-Pierre Dardenne and Luc Dardenne; 'La grande belleza' ('The great beauty'), directed by Paolo Sorrentino; 'La Vénus à fourrure' ('Venus in Furs'), by Roman Polanski; 'Nymphomaniac: Vol. I and Vol. II', written and directed by Lars von Trier; and, the Spanish 'La isla mínima', directed by Alberto Rodríguez. The award ceremony will take place in Barcelona at the end of January. The nominations were selected by a committee appointed by the Board of the Catalan Film Academy.

On Wednesday the Catalan Parliament passed two important bills. With 74% support, it has approved the Law of External Action and Relations with the EU. Only two parties voted against it, the Spanish nationalist People’s Party (PP) – which runs the Spanish Government – and Ciutadans (C’s). A third party, the alternative left and radical independence party CUP, abstained because it considered that the law was not “ambitious enough”. All the rest supported the bill, which mainly puts in order the existing bodies and mechanisms, although it also creates some new ones, in line with the Catalan Government’s powers in this area, recognized by the Catalan Statute of Autonomy. The other bill is the tax on Internet suppliers, which aims to fund the Catalan audiovisual sector, affected by Internet piracy. No party voted against it. The new tax aims to collect some €20.5 million per year and it is welcomed by the cinema industry, and rejected by the main Internet suppliers.

The apocalyptic blockbuster Los Últimos Días (‘The Last Days’) and the intense quasi-documentary La Plaga (‘The Plague’) took home top honours at the Catalan film industry awards, which took place in Barcelona on Sunday evening. The decision by the workers from the Catalan Public Television Broadcaster not to air the ceremony was present throughout with many personalities from the world of cinema displaying their support for the protesters. The President of the Catalan Film Academy, Isona Passola, condemned this decision in her address. Contemporary drama Tots Volem el Millor per a Ella (‘Puzzlement’) was also recognised in the gala, picking up both Best Leading Actress for Nora Navas and Best Supporting Actress for Clara Segura, while big nominees Fill de Cain (‘Son of Cain’) and Grand Piano went home empty-handed.

The 19th edition of the Latin American Film Festival in Lleida ended last weekend after showing 117 films from 14 different countries. Argentine film director Gustavo Garzón’s movie 'Por un tiempo' (‘For a time’) had its world premiere while honorary awards were delivered to Spanish actor José Coronado and Mexican actor Damián Alcazar. 'Porcelain horse' (Mejor no hablar de ciertas cosas), directed by Ecuador’s Javier Andrade, won the Best Film Award. The budget for this year’s edition had been reduced by 24% and the Festival was forced to remove documentary and retrospective sections from the programme.

The Catalan ‘Gaudi’ Film Awards had a true international feel this year as ‘The Imposible’, directed by Barcelona-born moviemaker Juan Antonio Bayona, came out on top. Starring Ewan McGregor and Oscar-nominated Naomi Watts, the film won the six awards for which it was nominated, including Best Director and Best European Film. The Catalan-Spanish production ‘Blancanieves’, directed by Pablo Berger, was voted Best Catalan Film. Àlex Monner – famous for his ‘Red Band Society’ part – was recognised as Best Actor for the film ‘Els nens salvatges’ and Maria Molins won Best Actress for ‘El Bosc’.

‘Blancanieves’ with 12 nominations and ‘El Bosc’ with 11 are leading the race at this year’s Gaudí awards ceremony. They are followed by ‘Els nens salvatges’ and ‘Fènix 11-23’, who are also candidates for the Best Film in Catalan. The Premis Gaudí are organised by the Catalan Cinema Academy and they recognise Catalan productions or movies with a significant presence of Catalan artistic and technical staff. They also award a prize for European productions. Out of the 89 films in the competition, 30 have received one or several nominations, becoming candidates to receive one of the 22 awards. ‘The Impossible’, ‘In The House’, ‘Le Havre’ and ‘The Intouchables’ are candidates for the Best European Movie.

Mientras duermes’ (‘While you sleep’), filmed by Catalan Jaume Balagueró, was the winner of the night, with 6 awards. The hot favourite ‘Eva’, by Catalan director Kike Maíllo, followed it with 5 prizes. Catalan filmmaker Pere Portabella was given the Honorific Gaudí award for his cinematographic career.

CNA talks to some of the most important figures from the Catalan cinema industry to discuss the main challenges for the future after 2010 was described as “the best year” to date for movies filmed and produced at home