romanesque

Two University of Barcelona researchers discover church panels in private collection

Gallery hosting Romanesque jewels to Velázquez, Picasso, and Dalí paintings will be extended to nearby pavilion

Medieval churches in Vall de Boí and Roman-era Tarraco complex celebrate twentieth anniversary of international award

Tourism agency holds event in Boston museum as part of drive to bring in more American visitors looking for "cultural tourism"

Picasso’s attraction to Romanesque art is to be definitively unveiled in an exhibition dedicated to him at the National Art Museum of Catalonia (MNAC). The display will open its doors next Thursday and is co-organised with the Musée National Picasso-Paris. The exhibition includes forty works by the artist lent by the French museum, which are being added to the collection of Romanesque art from the MNAC. According to one of the exhibition’s curators, Emilia Philippot, the display demonstrates the “echoes of simplicity and primitivism” of Romanesque art in certain Picasso creations. Picasso, like other artists of his time, was attracted by the Romanesque, identified with the “childhood of art”. His interest is proved in the exhibition with various unpublished documents, such as correspondence and books belonging to the artist.

The Israeli airline Arkia will offer a total of 20 flights during the summer and 20 more during the winter between Tel Aviv and the Lleida-Alguaire Airport. The new connection will start on the 27^th of June and will have a capacity of 110 passengers per flight. Israeli tourists will be better connected to Western Catalonia and the Pyrenees, which host a large range of ski resorts, adventure sports opportunities, impressive mountain landscapes and unique Romanesque art. In addition, the Israeli Ambassador recently unveiled a route following the mountain paths used by thousands of Jews who crossed the Pyrenees to escape Nazi persecution. Lleida's Pyrenean landscape consists of high peaks, lakes and mountain forests, including the National Park of Aigüestortes.

The History Museum of Manresa’s Cathedral (Central Catalonia), which was closed to the public until now, will reveal among its most valuable pieces a Florentine altar frontal dating back to the mid-14^th century. Such a work is one of the world’s most unique frontals, considerably large, embroidered with gold thread and portraying key events in the life of Jesus Christ, with a specific focus laid on his crucifixion. Art Historian Sílvia Ruiz, said to the CNA that this piece is the “cathedral’s jewel” and explained that it was purchased by Catalan merchant Ramon Saera in 1357. Visitors will be able to discover the frontal and others of Manresa’s gems in special guided tours once a month.

Some 250 people have joined hands around the old Cathedral of Lleida (Western Catalonia) for the third consecutive year, urging the monument and its surroundings to be declared UNESCO World Heritage Site. In the heart of the Catalan city, the tremendous ‘Turó de la Seu Vella’, literally the Hill of the Old See, is formed of several buildings, with the most significant being the 13^th century cathedral, known as ‘La Seu Vella’. The hill also hosts the remains of La Suda or King's Castle (Castell del Rei o La Suda), well preserved military fortifications built from the 14^th to the 18^th century and other archaeological gems. An official nomination bid was eventually presented this January, setting up the first stage of a lengthy procedure.

Catalonia’s National Museum of Art (MNAC) proposes a new way to discover its Romanesque Art collection – which is the most important in the world – through the eyes of an important figure of European Contemporary Art: the Catalan Painter, Sculptor and Essayist Antoni Tàpies (1923 - 2012). The Barcelona-based museum has carried out a “small intervention” in the halls of the Romanesque collection so that visitors are able to see the exhibited works with interpretation elements and views linked with Tàpies’ work and thoughts. In addition, the MNAC is also exhibiting one of the artist’s most emblematic works: the Romanesque Painting with Barratina (Pintura Romànica i Barretina, 1971)

Three exhibitions convey the splendour of the city of Girona (in north-eastern Catalonia) during the Middle Ages. The curators of all three exhibitions wished to break away from the notion of “darkness” which is often associated with such times, when these several centuries actually shaped the city’s glorious past. Visitors can get acquainted with 13^th century Jewish doctors or intellectuals, walk down the streets of Medieval Girona, and contemplate masterpieces such as the portrait of Catalan King Peter III. The City Museum, the Museum of Jewish History and the Monastery of Sant Daniel are hosting exhibitions on medieval Girona until the 30^th of March 2014.

The renovation work in Saint Mary’s Cathedral in Tarragona have revealed tens of polychromes on the walls of this temple of transition from Romanesque to Gothic. The grey painting layer that covered the walls of the building concealed these polychromes which date from the 14th to the 16th centuries. The Medieval artworks were mostly painted in shades of red and green. This is the fourth phase of the renovation work that started in 2010 and have cost €3 million, funded by the Spanish Ministry of Culture.

The Museu Nacional d’Art de Catalunya (Catalonia’s National Museum of Art) is considering changing its name to include ‘Barcelona’. The Museum Director, Pepe Serra, wants to better explain the Museum to a global audience and considers using the “Barcelona brand” as a superior way of raising the gallery’s status. Also he believes the collections of Romanesque art, which are considered exceptional, have not been sufficiently exploited on an international level. The Museum Director also announced that despite the crisis, they will open up “many more areas for free”.

The restoration of the one-thousand-year old ‘Tapís de la Creació’ reveals its original colours. Renovation works of this Catalan Romanesque tapestry have continued longer than expected due to the delicate nature of the reparation. Now it is on show again in the Girona Cathedral, with improved isolation and lighting conditions.