baroque

Musicians from around the world practise with online tool Cantamos and participate through use of technology

The national gallery’s collection includes pieces from the Renaissance and Baroque periods

The internationally-recognised Early Music expert, Catalan Jordi Savall, rejected on Thursday Spain’s National Music Prize, which is awarded by the Spanish Government each year. Savall has not accepted the Prize, which was announced on Wednesday and comes with €30,000, because he wants to show his rejection of the Spanish Government’s cultural policies, particularly that towards musicians. Savall is probably the world’s top interpreter of viola da gamba and the main expert in Early and Renaissance music. In 2012 he received the Leonie Sonning Music Foundation Prize, considered to be the ‘Nobel Prize of Music’. In a letter addressed to the Spanish Culture Minister, José Ignacio Wert, Savall blames the Spanish Government for “the dramatic lack of interest and the great incompetence in defending and promoting arts and its creators”. Furthermore he “deplores the Spanish Government’s downplaying policy towards the vast majority of musicians”. Besides, Savall has been publicly advocating for Catalonia’s right to self-determination in the last few months.

The Bachcelona Festival kicked off on Sunday with a concert by renowned harpsichord duo Ton Koopman and Tini Mathot at the Catalan capital's Palau de la Música concert hall. The performance included the famous ‘Art of Fugue,’ one of the most celebrated compositions by Johann Sebastian Bach. The festival, which is designed to showcase the work of the great composer, will run in Barcelona until 27 July 2014. Koopman, a specialist in Baroque music and great interpreter of Bach’s work, gave attendees an intense and enjoyable musical evening, and was accompanied by his wife Mathot. The pair are noted for the authenticity of their performances, which sometimes even use exact replicas of instruments used by Bach.

The History Museum of Manresa’s Cathedral (Central Catalonia), which was closed to the public until now, will reveal among its most valuable pieces a Florentine altar frontal dating back to the mid-14^th century. Such a work is one of the world’s most unique frontals, considerably large, embroidered with gold thread and portraying key events in the life of Jesus Christ, with a specific focus laid on his crucifixion. Art Historian Sílvia Ruiz, said to the CNA that this piece is the “cathedral’s jewel” and explained that it was purchased by Catalan merchant Ramon Saera in 1357. Visitors will be able to discover the frontal and others of Manresa’s gems in special guided tours once a month.

Held in UNESCO’s World Heritage Poblet Monastery, the first edition of the Festival of Ancient Music was a sell-out, and will have a second edition next year, according to the organisers. The Festival was launched by the Catalan conductor, interpreter, composer and researcher Jordi Savall, who in 2012 received the Léonie Sonning Prize, considered Music’s equivalent of the ‘Nobel Prize’. The event aimed “to compensate” for the lack of such music festivals in southern Catalonia and also to honour the memory of soprano Montserrat Figueras, who died in November 2011. Figueras was one of the greatest vocalists and experts in Early Music and Savall’s life partner. The first edition of Poblet Festival included 3 concerts by Jordi Savall, all played within the monastery’s church, which is the location of the most of the tombs of the old Catalan kings.

Married to viol player Jordi Savall, the Catalan Montserrat Figueras was one of the world’s most recognised experts and talented instrumentalists specialised in medieval music, as well as music from the Renaissance and Baroque periods. Together with Savall, they founded the groups Hespèrion XXI, the Capella Reial de Catalunya and the orchestra Le Concert des Nations. Figueras received many accolades, such as the ‘Officier de l’ordre des Arts et des Lettres’ in France and a Grammy Award.

The OBS performs a repertoire of Italian Baroque music. The concert was held at Santa Maria’s Cathedral, in La Seu d’Urgell, in the Western Catalan Pyrenees, next to Andorra.

Gothic, Renaissance, Cambó and Thyssen-Bornemisza collections more focused on the visitor